Dr. Maxwell Kennel

Senior Research Fellow at the Canadian Institute for Far-Right Studies

Director of Pandora Press and Editor of the Anabaptist and Mennonite Studies Series.

Co-Investigator on the CREATE Project and Affiliate at the Arcand Centre for Health Equity at NOSM University.

Author of Postsecular History (Palgrave, 2022) and Ontologies of Violence (Brill, 2023).

Editor of Astrid von Schlachta’s Anabaptists. Trans. Victor Thiessen (Pandora, 2024), Thomas Kaufman’s The Anabaptists. Trans. Christina Moss (Pandora, 2024), and Hans-Jürgen Goertz’s Conrad Grebel (1498-1526): Critic of Pious Facades. Trans. Christina Moss (Pandora, 2025).

Co-Editor of Messianic Imagination (Cascade, 2025), and (with Berit Jany), Friedrich Dürrenmatt’s The Anabaptists: A Comedy in Two Acts. Trans. Lauren Friesen (Pandora, 2025).

Dialectics Unbound (Book Page)

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Dialectics Unbound: On the Possibility of Total Writing

by Maxwell Kennel

FORTHCOMING: Spring 2013

Dialectics Unbound: On the Possibility of Total Writing re-imagines figures of ontological totality, in and out of writing, first by exploring some lineages of the dialectic, and second by engaging thinkers such as Theodor Adorno and his assertion of nonidentity, Julia Kristeva and her positing of a fourth term of the dialectic, and Fredric Jameson’s treatment of the dialectic as an open totality. By articulating a concept of totalization-without-totality, Dialectics Unbound seeks to free the concept of the dialectic from the violence of closure, and then to take this unbound dialectics to the work of writing through a brief examination of parataxis and aphoristics as approaches to writing, both possible and impossible.

Maxwell Kennel is a student of philosophy, rhetoric, and writing based in Waterloo, Ontario, Canada. His research is focused on the ontology of identity and totality and the intersection of philosophy and theology. He works in the Mennonite Church of Eastern Canada, and is affiliated with Conrad Grebel University College at the University of Waterloo.

Cover Image: details from Sarah Lewis, Time Machine (2008).